I'll let creators David Hitchcock (art) and Dan Whitehead (script) tell you more about it...
What if Mary Shelley's famous gothic novel was a lie? What if Victor Frankenstein paid Captain Walton to announce both he and his creation had perished and vanished in the Arctic? What if instead the pair headed west, across Europe, to Ireland and from there to the new world? To America?
That's the concept behind Frankenstein, Texas, a 48-page horror western graphic novel from writer Dan Whitehead (Hex Loader, Midwinter) and Eagle Award winning artist David Hitchcock (Springheeled Jack, The Signal Man).
This is a tale of action and adventure, but also a story that explores ideas of damnation and salvation, of fresh starts and bitter ends, and what it takes to atone for the deadliest of sins.
At the heart of the story is the complex relationship between Frankenstein and his creation. The man, constantly wrestling with the knowledge that he created life from death, and the monster, heartbroken by the violence that rages inside him, and determined to prevent his "father" from repeating the mistakes of the past.
Frankenstein, Texas is written by Dan Whitehead. An author, journalist and scriptwriter, Dan has over 20 years experience in professional publishing. Among the titles he has written are two official Star Wars books, comic adaptations of Poe's Fall of the House of Usher, Jason and the Argonauts and Shakespeare's Julius Caesar, and the children's historical science fiction novel Atlanta meets the Cotton Slaves. He has also written scripts for video games and television, and most recently self-published the retro gaming supernatural comic book Hex Loader and post-apocalyptic thriller Midwinter.
The artist on Frankenstein, Texas is 2006 Eagle Award winner David Hitchcock. His past work includes The Visible Man with Pat Mills for 2000AD, the award-winning Madam Samurai, Springheeled Jack, Whitechapel Freak and a graphic novel adaptation of Charles Dickens' classic ghost story The Signal Man.
The script is complete and work has already begun on the interior pages - as you can see in the images here. This campaign is to raise the funds to pay for David's time to complete the rest of the book. Money has already been set aside for lettering and printing.
I've already backed it, why don't you?